Tag Archives: Historical Fiction

Secret of the Sands

secret of the sands sara sheridanYou might remember that Secret of the Sands was the product of my Kindle download experiment of judging a book by its first chapter and I was in no way disappointed. This is a rattling good yarn with a fascinating setting – both historical and geographical – which is evoked in fabulous detail by the author Sara Sheridan.

I won’t summarise the plot, but it centres on Lieutenant Wellsted of the ship Palinurus, sent by the East India Company in 1833 to map areas of the Arabian Peninsula which is proving obstructive to trade between East and West. Wellsted has already submitted  a memoir of his travels to the publisher John Murray in London when two of his fellow officers, on an intelligence mission in the desert, are heard to have been captured by a local chieftain and he is sent off to rescue them. At the same time, a young Abyssinian girl Zena has been taken into slavery and ends up, along with the slavers who have possession of her, as part of Wellsted’s expedition.

Thus the ingredients for a romantic adventure fall into place. But along the way we get an intriguing account of society in Arabia as seen in the town of Muscat. In what is both a cross-roads and melting pot of cultures, an Arab agent learns English with an Irish accent, the English must accept slavery they have recently banned at home, and daily life involves constant negotiations around culture, class and caste as well as goods and money. The writer also bring to vivid life the sounds and sensations of a wealthy household, a naval ship or a Bedouin encampment with equal knowledge and skill.

I learned a great deal from this book (for instance that there was smallpox in coastal Arabia in this period) which also sent me running to an atlas to check the geography of an area I realised was all too vague in my mind. I also enjoyed the ripping yarn which evolves when the trip into the desert begins. My only quibble would be that the plot languished for a while as we were introduced to an array of characters, who were all interesting but who also made me impatient.  Drawn instantly to Zena, Jessop (the captured doctor) and Wellsted himself (for me the ‘anchors’ of the story) I would have been happy for events and other people to have emerged through their eyes and was slightly frustrated at having to spend time with, for instance,  the captain and crew of the Palinurus.

The book is of course inspired by the letters and journals of Wellsted, and if I’d been reading in print I might well have skipped ahead to the author’s historical notes which do add greatly to the interest. However the e-book is less tempting in this respect and so I simply dived into the story and left the facts until the end, which for a work of fiction is no doubt as it should be.

I would certainly recommend this for anyone who likes historical novels, or perhaps even more so to anyone who  might not usually choose this genre. I think they would be both surprised and impressed, and I myself will definitely be looking out for Sara Sheridan’s other books.

Since finishing Secret of the Sands I have coincidentally been
planning planned a trip to the Middle East and am grateful for the insight into its history. A final request? A map of Wellsted’s expedition (unless I have missed it) – in print or on the author’s website- would add the finishing touch to my education!

 

Numbers Game

National Railway Museum

National Railway Museum

A trip to York has been an excellent excuse to neglect Authonomy where The Water’s Edge is now sinking down the rankings. And if I am ever to get on with my rewrite project I’m afraid that sink it must. Even maintaining its current position requires too much effort in finding and swapping reads. But I have made some good writing friends on Authonomy and hope I’ll catch up with them when the novel is put back together again. (Ali, Jane, Diana, Elinor, Lellie and Sandrine – this means you!)

 Ironically, as I withdraw from the fray, I am just starting to understand some aspects of how the ranking system works. It turns out that points allocated to a book when it’s backed vary according to the ‘reviewer rank’ of the backer. Reviewer points are allocated depending on the progress of a book after you have backed it, i.e. backing a ‘best seller’ book  will do little for your own reviewer ranking; backing an ‘unknown’ that subsequently shoots up the charts will boost your own rank – and consequently makes you a more effective backer of other books. Very cunning, methinks, and does something to mitigate the idea that it’s purely a numbers game.

 If anyone is still paying attention, I can tell you that The Water’s Edge has been backed by three ‘top reviewers’ so far. More perplexing is that while my book rank is hovering just outside 600, my reviewer rank is a tidy 375.   Okay, I think it is a numbers game after all. Or does this mean I should give up writing and become a professional editor?  

 While ignoring my read/review duties I also found a useful article on writing historical novels, which makes a clear statement that the story, rather than the research, is the thing to get right So all that research, however useful, is just a way of putting off the inevitable.  

 I think I knew that really.

Middle of the Road

My Library Thing widget should update soon to show I’ve been on a reading fest – three books in three days is a lot for me! – and only happened because a neck problem has kept me off the golf-course and also the P.C. So far this week I have clocked up  a racy historical novel, a contemporary family story and a fictional biography (which I haven’t yet finished).

How would I summarise my literary tastes? Not sure, but I was disconcerted to see Monica Ali described in the Telegraph as ‘middle-brow’, as if that were a bad thing.  I haven’t read her latest books but I thoroughy enjoyed Brick Lane and I woud say it is roughly representative of a lot of what I read. And what I read is probaby what I aspire to in my writing.  So that makes me middle-brow too. But who wants to be low-brow writer (poor or formulaic writing?) and who would lay caim to high-brow (obscure and  with a limited market?) The whole ‘brow’ idea is clearly a lazy shorthand which lets us put someone down without explaining our real reasons. If I have to choose one, it’s still going to be the  middle ground.

The Great Lover by Jill Dawson If for ‘high-brow’ we can read ‘literary’, my current read probably does fall in that category. Jill Dawson’s ”The Great Lover’  is about Rupert Brooke.  I chose it as an example of historical fiction that deals with a real (and not too distant) figure – something I’m about to attempt myself. I like the way it uses his maid at Grantchester (not just a servant but also the keeper of the honey bees) as the second narrator. As such it’s a good example of the technique of  ‘fictional minor character’ as a vehicle for historical fiction, something I’m thinking about too. In this case Brooke himself also has a voice which is convincing but so far less compelling – perhaps the problem with a hero who is, as he should be, a man of light and shade, i.e. he carries a lot of the narrative but I’m not sure I like him! Still it’s early days, and the beautifully evoked atmosphere (smell those scones!)  is beginning to pull me in.