Tag Archives: Ian Rankin

Voices of home

There are certain  writers with whom I always feel totally at home, and perhaps it’s not surprising that a number of them are Scottish.  One of them is  Ian Rankin whom I might never have read if I hadn’t had a flat tyre a few years ago on a Saturday. Up until then, although curious about the new Scottish literary hero,  I thought detectives weren’t especially my thing. But since the discount tyre shop was heaving and it was going to take a while,  I walked  to the nearest charity shop and bought The Falls. Never has an hour in a grimy garage passed more quickly. Never mind the fantastic evocation of Edinburgh  and the totally authentic dialogue, even the narrative prose struck some kind of chord, an echo, I asume, of some rhythm in my own brain. I have since read most of Inspector Rebus, not for the plots but for the sense of being at home.

Iain Banks also has this effect, perhaps not surprisingly since both he and Rankin were brought up a stone’s throw from the town where I grew up.  But I’m now rediscovering Moira Forsyth, whose writing for me (although set in the Highlands)  has the same ring of truth and of reality. Opening her latest novel  on a train journey to Birmingham,  I could happily have stayed in my seat all the way to Edinburgh and maybe even Inverness. 

Tell Me Where You AreA far cry from either Rankin or Banks in her dissection of ‘ordinary’ family lives, her novels provide me with total satisfaction, and the added bonus of those nuances of style and speeech that resonate with my inner ear.  For instance, when the visiting daughter remonstrates with her elderly mother for laying on a full meal,  she puts it like this,  ‘A bowl of soup would have done me fine,’ a simple response that somehow evokes not just the language with which I grew up but also a whole set of values.

As an exiled Scot I’m not given to sentimentality over my home country but now, as I read, I’m on the look-out for language that I haven’t forgotten , but which has been lying dormant for a while in my semi-anglicised brain. So, next time there’s a frost I shall describe the path as slippy rather than slippery. Soon I might even tell someone that I am  swithering, since I very often am, amn’t I?  (No, I probably don’t say that any more, but nor will I use the oh-so-English aren’t I !)

More importantly perhaps, I’m  planning to reread David’s Sisters and and Waiting for Lindsay. By then my roots should be totally re-established.

Jackson Brodie in Edinburgh

All the advice I’ve ever been given for writing a novel is that I must write every day, however little I produce. This did stand me in good stead when I started New History and really hadn’t a clue about what was in front of me. Apart from inculcating the necessary discipline, it kept my brain fully engaged with the characters, plot etc. However, I’ve noticed recently that I’ve got a bit lazy in this respect and now have some weeks that I think of as writing weeks and others where I do less. I find a spurt of writing energy will carry me through for a while but then I have to call a halt and take stock.This applies particularly when I’m tackling original writing. (Editing is easier to pick up and put down at will).  
Recently I heard Kate Atkinson give a talk and was gratified to hear her confess to a similar routine, to the extent of having ‘writing days’ where she stays in bed with a laptop. Naturally, I would follow suit if only I had the right equipment!
I’m a big fan of Atkinson and am currently engrossed in One Good Turn. It’s an interesting departure for her to do a ‘sequel’ (though she might argue with that description) since I think her previous novels are remarkable for their ’infinite variety’. I also wonder if she’s playing with us a little, or rather with the Ian Rankin fan club. Very tempting to compare and contrast John Rebus with Jackson Brodie when they are on the same turf. In fact, when St. Leonard’s Station was mentioned I thought Rebus himself might be about to put in an appearance!